The parrot
Moderator: TheMachine
The parrot
A woman went to a pet shop and immediately spotted a large, beautiful
parrot. There was a sign on the cage that read $50.00.
"Why so little," she asked the pet store owner.
The owner looked at her and said, "Look, I should tell you first that
this bird used to live in a house of prostitution and sometimes says some pretty vulgar stuff."
The woman thought about this but decided she had to have the bird anyway.
She took it home and hung the bird's cage up in her living room and
waited for it to say something.
The bird looked around the room, then at her, and said, "New house, new
madam."
The woman was a bit shocked at the implication but then thought,
"That's not so bad."
When her two teenage daughters returned from school the bird saw them and
said, "New house, new madam, new hookers."
The girls and the woman were a
bit offended but then began to laugh about the situation.
Moments later, the woman's husband came home from work.
The bird looked at him and said, "Hi, Bill."
parrot. There was a sign on the cage that read $50.00.
"Why so little," she asked the pet store owner.
The owner looked at her and said, "Look, I should tell you first that
this bird used to live in a house of prostitution and sometimes says some pretty vulgar stuff."
The woman thought about this but decided she had to have the bird anyway.
She took it home and hung the bird's cage up in her living room and
waited for it to say something.
The bird looked around the room, then at her, and said, "New house, new
madam."
The woman was a bit shocked at the implication but then thought,
"That's not so bad."
When her two teenage daughters returned from school the bird saw them and
said, "New house, new madam, new hookers."
The girls and the woman were a
bit offended but then began to laugh about the situation.
Moments later, the woman's husband came home from work.
The bird looked at him and said, "Hi, Bill."
THE LARGE PRINT GIVETH
The fine print taketh away.
The fine print taketh away.
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hahahah
Akaran of Mistmoore, formerly Akaran of Veeshan
I know I'm good at what I do, but I know I'm not the best.
But I guess that on the other hand, I could be like the rest.
I know I'm good at what I do, but I know I'm not the best.
But I guess that on the other hand, I could be like the rest.
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Mate, this parrot wouldnt voom if you put five million volts through it! Its a stiff. Bereft of life it rests in peace. If you hadnt nailed it to the perch it would be pushing up the daisies. He's kicked the bucket. He hopped the twig. He's rung down the curtain and joined the bleedin' chior invisible. This is an ex-parrot.
*Hugs*
Varia
Aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaalbatross!
*Hugs*
Varia
Aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaalbatross!
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VariaVespasa wrote: Mate, this parrot wouldnt voom if you put five million volts through it! Its a stiff. Bereft of life it rests in peace. If you hadnt nailed it to the perch it would be pushing up the daisies. He's kicked the bucket. He hopped the twig. He's rung down the curtain and joined the bleedin' chior invisible. This is an ex-parrot.
It's Pining for the Fjords!
Last edited by Arborealus on April 28, 2003, 12:31 pm, edited 1 time in total.
The parrot skit is my favorite of all the Pythin skits. No matter how many times I watch it, it always cracks me up.
That parrot is definitely deceased, and when I purchased it not half an hour ago, you assured me that its total lack of movement was due to it being tired and shagged out following a prolonged squawk.
THE LARGE PRINT GIVETH
The fine print taketh away.
The fine print taketh away.
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Fairweather Pure wrote:They did this skit on SNL a couple of years ago and you could hear cricketts in the audiance. Probably the biggest bomb I have ever witnessed on that show.The parrot skit is my favorite of all the Pythin skits. No matter how many times I watch it, it always cracks me up.
This is the same audience that finds Jimmy Fallon funny ... I wouldn't take it to heart.
Oh, and the Cheese Shop Sketch > Parrot Sketch ^^
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Just saw the rerun the other day on Comedy Central. It was live.To be fair they really phoned in the parrot sketch on SNL.
1/11/97 Kevin Spacey Beck, John Cleese, Michael Palin
cold John Cleese & Michael Palin [real] explain SNL's sketch ratings system
mono while host sings, on-screen text says that he really is a psycho
show Late Show with David Letterman (NOM)- repetition dominates the program
skit easy-to-get perscriptions show potential danger of medical marijuana laws
COMM Star Wars 20th anniversary re-release contains unsuccessful screen tests
show Janet Reno's (WIF) Dance Party- she insists on hoofing to "My Sharona"
COMM more Star Wars screen tests by celebrities that didn't appear in the film
news NOM asks Courtney Love (MOS) about her role in The People vs. Larry Flynt
song musical guest performs "Where It's At"
skit Mr. Peepers refuses to behave for laboratory assistant (WIF)
MISC Ford, Carter, Reagan, Bush are X-Presidents superhero team in RBS cartoon
show The Joe Pesci (JMB) Show- Al Pacino (host) & Rodney Dangerfield (DAH)
skit Mr. Praline (John Cleese) returns dead parrot to (Michael Palin)'s shop
song musical guest performs "Devil's Haircut"
skit home security technician (host) tires of Mrs. Attebury's (ANG) stories
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I'll go along with that. Cleese actually said something along the lines of "This parrot's about as dead as this skit" while they were doing the bit. It was really, really bad. I cannot express that enough. Even as a MP fan I was cringing.Phoning it in is an expression meaning they didn't put any effort into it.
Oh yeah, you're all wrong. The best MP has got to be the "Argument" skit, with the best movie being "The Meaning of Life". Take that!
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Host (Eric Idle): Last week the Royal Festival Hall saw the first performance of a new symphony by one of the world's leading modern composers, Arthur 'Two sheds' Jackson. Mr Jackson.
Jackson (Terry Jones): Hello.
Host: May I just sidetrack for one moment. This -- what shall I call it -- nickname of yours...
Jackson: Ah yes.
Host: "Two sheds". How did you come by it?
Jackson: Well, I don't use it myself, but some of my friends call me "Two Sheds".
Host: And do you in fact have two sheds?
Jackson: No, I've only got one. I've had one for some time, but a few years ago I said I was thinking of getting another, and since then some
people have called me "Two Sheds".
Host: In spite of the fact that you only have one.
Jackson: Yes.
Host: And are you still intending to purchase this second shed?
Jackson (impatient): No!
Host: ...To bring you in line with your epithet?
Jackson: No.
Host: I see, I see. Well to return to your symphony.
Jackson: Ah yes.
Host: Did you write this symphony in the shed?
Jackson (surprised): No!
Host: Have you written any of your recent works in this shed of yours?
Jackson: No, no, not at all. It's just an ordinary garden shed.
Host: I see, I see. And you're thinking of buying this second shed to write in!
Jackson: No, no. Look. This shed business -- it doesn't really matter. The
sheds aren't important. A few friends call me Two Sheds and that's all there is to it. I wish you'd ask me about the music. Everybody talks about the sheds. They've got it out of proportion -- I'm a composer. I'm going to get rid of the shed. I'm fed up with it!
Host: Then you'll be Arthur 'No Sheds' Jackson, eh?
Jackson: Look, forget about the sheds. They don't matter.
Host (sternly): Mr. Jackson, I think, with respect, we ought to return to the
subject of your symphony.
Jackson:What?
Host: Apprently your symphony was written for tympani and organ....
(Picture of a shed appears on the screen behind them)
Jackson (turning around): What's that!?!?!???
Host (innocently): What's what?
Jackson: Its a shed!!...get it off!! get it off!!
(Interviewer motions to picture, and it is replaced by a picture of Jackson himself)
Jackson: (Grudgingly) All right...Thats better..
Host: I understand that you used to be interested in train-spotting.
Jackson: What?
Host: I understand that, about thirty years ago, you were interested in train-spotting.
Jackson: Well what's that got to do with my bloody music?
John Cleese (entering): Are you having any trouble with him?
Host: Yes, a little. Good Lord! You're the man who interviewed Sir Edward Ross earlier.
Cleese: Exactly. Well we interviewers are more than a match for the likes of you, "Two Sheds".
Host: Yes, make yourself scarce, "Two Sheds". This studio isn't big enough for the three of us! [They throw him out.]
Jackson: Here, what are you doing? Stop it! [Crash.]
Cleese: Get your own Arts programme, you fairy!
Host: Arthur "Two Sheds" Jackson... Never mind, Timmy.
Cleese: Oh Mike, you're such a comfort.
Jackson (Terry Jones): Hello.
Host: May I just sidetrack for one moment. This -- what shall I call it -- nickname of yours...
Jackson: Ah yes.
Host: "Two sheds". How did you come by it?
Jackson: Well, I don't use it myself, but some of my friends call me "Two Sheds".
Host: And do you in fact have two sheds?
Jackson: No, I've only got one. I've had one for some time, but a few years ago I said I was thinking of getting another, and since then some
people have called me "Two Sheds".
Host: In spite of the fact that you only have one.
Jackson: Yes.
Host: And are you still intending to purchase this second shed?
Jackson (impatient): No!
Host: ...To bring you in line with your epithet?
Jackson: No.
Host: I see, I see. Well to return to your symphony.
Jackson: Ah yes.
Host: Did you write this symphony in the shed?
Jackson (surprised): No!
Host: Have you written any of your recent works in this shed of yours?
Jackson: No, no, not at all. It's just an ordinary garden shed.
Host: I see, I see. And you're thinking of buying this second shed to write in!
Jackson: No, no. Look. This shed business -- it doesn't really matter. The
sheds aren't important. A few friends call me Two Sheds and that's all there is to it. I wish you'd ask me about the music. Everybody talks about the sheds. They've got it out of proportion -- I'm a composer. I'm going to get rid of the shed. I'm fed up with it!
Host: Then you'll be Arthur 'No Sheds' Jackson, eh?
Jackson: Look, forget about the sheds. They don't matter.
Host (sternly): Mr. Jackson, I think, with respect, we ought to return to the
subject of your symphony.
Jackson:What?
Host: Apprently your symphony was written for tympani and organ....
(Picture of a shed appears on the screen behind them)
Jackson (turning around): What's that!?!?!???
Host (innocently): What's what?
Jackson: Its a shed!!...get it off!! get it off!!
(Interviewer motions to picture, and it is replaced by a picture of Jackson himself)
Jackson: (Grudgingly) All right...Thats better..
Host: I understand that you used to be interested in train-spotting.
Jackson: What?
Host: I understand that, about thirty years ago, you were interested in train-spotting.
Jackson: Well what's that got to do with my bloody music?
John Cleese (entering): Are you having any trouble with him?
Host: Yes, a little. Good Lord! You're the man who interviewed Sir Edward Ross earlier.
Cleese: Exactly. Well we interviewers are more than a match for the likes of you, "Two Sheds".
Host: Yes, make yourself scarce, "Two Sheds". This studio isn't big enough for the three of us! [They throw him out.]
Jackson: Here, what are you doing? Stop it! [Crash.]
Cleese: Get your own Arts programme, you fairy!
Host: Arthur "Two Sheds" Jackson... Never mind, Timmy.
Cleese: Oh Mike, you're such a comfort.
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